Monday, 17 July 2017

News for release: Friday 14th July 2017, Poet Kate Wakeling wins CLiPPA



Press Release – Friday 14th July
Winner announced for CLiPPA 2017 (CLPE Children’s Poetry Award)
  • Kate Wakeling announced as CLiPPA 2017 winner
  • More than 1000 children took part in the 15th anniversary celebration for the award
  • UK school children performed on stage alongside shortlisted poets at National Theatre


News for release: Friday 14th July 2017, 1600: Poet Kate Wakeling wins CLiPPA 2017 for her first collection for children, Moon Juice, illustrated by Elīna Brasliņa, published by The Emma Press.
Rachel Rooney, Poet and Chair of the CLiPPA 2017 judges praised the winning book; Moon Juice is a book brimming with surprises. Some of the poems are playful, some are more thoughtful but all of them draw the reader into worlds that both delight and convince. Kate Wakeling tunes us into the musicality of words, the pauses between, and the white space on the page - making the poems equally pleasing to the eye as to the ear. This is a skilled and confident debut collection that demonstrates the power and breadth of poetry for children. Yes, Moon Juice is infused with subtle and unusual tastes and it refreshes - exactly as the title suggests.”
Louise Johns-Shepherd, Chief Executive, CLPE said: “At CLPE we live and breathe poetry. We know it offers a path to literacy learning for all children whatever their age, cultural background or personal experience. This is the 15th Anniversary of CLiPPA, our annual Poetry Award and I am thrilled to say that children’s poetry is thriving. Judging by the increased number of books submitted this year incorporating a variety of poetic forms, we see a bright future ahead for this significant strand of children’s literature. Moon Juice and all the shortlisted titles deserve their places in this, our largest ever celebration of children’s poetry.”
Booked by Kwame Alexander, published by Andersen Press, was highly commended.
Run by the Centre for Literacy in Primary Education since 2003, the annual Poetry Award is the only one of its kind in the UK, encouraging and celebrating outstanding poetry published for children. The announcement was made at the finale of The Poetry Show at the Olivier in the National Theatre, a lively celebration of poetry with children at its heart. CLiPPA 2017 shortlisted poets alongside winners of the children’s Shadowing Scheme and poet and chair of judges Rachel Rooney performed to a packed house of poets, educators, publishers, media and schools. Former Children’s Laureate, author, illustrator and political cartoonist Chris Riddell brought the ceremony to life, live-drawing the whole event from the stage.
Kate received a cheque for £1000 and both Kate and Kwame received beautifully bound copies of their book created by bookbinder, Mark Cockram.
More than 6000 children from 196 schools from across the UK took part in the Shadowing Scheme, an increase of more than 160% on schools participating in 2016.  The Shadowing Schools submitted 250 films of children performing their favourite poems from the shortlist. The winning performers were invited to the National Theatre to meet the shortlisted poets and take part in specially planned theatre workshops. The winning children then performed on the Olivier stage alongside the shortlisted poets before the winner announcement.
CLiPPA is made possible by the generous support of Arts Council England, Crest Nicholson, The Ernest Cook Trust and St Olave's Foundation Fund.
for her first collection for children, Moon Juice, illustrated by Elīna Brasliņa, published by The Emma Press.
Rachel Rooney, Poet and Chair of the CLiPPA 2017 judges praised the winning book; Moon Juice is a book brimming with surprises. Some of the poems are playful, some are more thoughtful but all of them draw the reader into worlds that both delight and convince. Kate Wakeling tunes us into the musicality of words, the pauses between, and the white space on the page - making the poems equally pleasing to the eye as to the ear. This is a skilled and confident debut collection that demonstrates the power and breadth of poetry for children. Yes, Moon Juice is infused with subtle and unusual tastes and it refreshes - exactly as the title suggests.”
Louise Johns-Shepherd, Chief Executive, CLPE said: “At CLPE we live and breathe poetry. We know it offers a path to literacy learning for all children whatever their age, cultural background or personal experience. This is the 15th Anniversary of CLiPPA, our annual Poetry Award and I am thrilled to say that children’s poetry is thriving. Judging by the increased number of books submitted this year incorporating a variety of poetic forms, we see a bright future ahead for this significant strand of children’s literature. Moon Juice and all the shortlisted titles deserve their places in this, our largest ever celebration of children’s poetry.”
Booked by Kwame Alexander, published by Andersen Press, was highly commended.
Run by the Centre for Literacy in Primary Education since 2003, the annual Poetry Award is the only one of its kind in the UK, encouraging and celebrating outstanding poetry published for children. The announcement was made at the finale of The Poetry Show at the Olivier in the National Theatre, a lively celebration of poetry with children at its heart. CLiPPA 2017 shortlisted poets alongside winners of the children’s Shadowing Scheme and poet and chair of judges Rachel Rooney performed to a packed house of poets, educators, publishers, media and schools. Former Children’s Laureate, author, illustrator and political cartoonist Chris Riddell brought the ceremony to life, live-drawing the whole event from the stage.
Kate received a cheque for £1000 and both Kate and Kwame received beautifully bound copies of their book created by bookbinder, Mark Cockram.
More than 6000 children from 196 schools from across the UK took part in the Shadowing Scheme, an increase of more than 160% on schools participating in 2016.  The Shadowing Schools submitted 250 films of children performing their favourite poems from the shortlist. The winning performers were invited to the National Theatre to meet the shortlisted poets and take part in specially planned theatre workshops. The winning children then performed on the Olivier stage alongside the shortlisted poets before the winner announcement.
CLiPPA is made possible by the generous support of Arts Council England, Crest Nicholson, The Ernest Cook Trust and St Olave's Foundation Fund.

Sunday, 16 July 2017

8 Studies in Pink. A miniature artists book.









I like Pink.

An artists book. A hair under 3" in height.

Saturday, 15 July 2017

Surviving Material. Finished and on show.

 The binding, stencil work, collage, spray paint and screen print.

 The first spread.

The second spread.
 The third spread.
The final spread.

Though I love working with and creating creative bindings for beautiful books, I am fascinated by the total, complete or artists book.  I have to say that I am becoming more comfortable with this particular working style. The Drum Leaf structure for the text block is a cool way to work and is attributed to Tim Ely , I would strongly encourage all to have a look at his work www.timothyely.com

I feel that I am going to work with this idea of the book for a little while. To explore and expand. I am particularly interested in how I can use this book structure as a vehicle for an aspect of my work that people may not be aware off. Before I became involved with the book I was an artist. You know, someone who paints and does arty stuff.  It was my living and gave me the foundation for where I am now.

I have always started my bookbinding projects from the artists perspective. To create in my minds eye or on the page of my sketch book the design and then work out how I am going to achieve my goals.

The challenge is not to be constricted by your self and others. To be creative is hard work, really hard work. I do not mean the struggle of being an artist, the starving artist is a thing of the past and largely fiction, the image of the damp room with a lone easel, a stretched canvas and the tormented artist has been created by writers wanting to romanticise the inner soul of the artist.
I agree that there has been throughout history the occasional artist that is strange or not the norm for society as it was but in the main, one never hears of artists dying of hunger. Sex, drugs and rock and roll .. yes. Paint, brushes, canvas, stone and mallet cost money... Away from the pages of the novel, the artist will have a job, perhaps in the service industries, night shifts at the super market or as street artist. In fact any job that will enable them to continue in their passion.

Being an artist is hard work.

Tuesday, 4 July 2017

Plan B






Plan B

Binding;
Light yellow book cloth
, decorated w/spray paint through hand cut stencil, collage, more spray paint and collaged titling.

Text block;

4 spreads white Canford medium press (approx 160gsm) spray paint through a hand cut  stencil, collage,  more spray paint, finished with hand painting, collage and collaged  text.

Plan B makes comment on a dystopian society (Perhaps now and perhaps ours) the nightmare of the victim.