Something for Booklyn. http://booklyn.org/
One of only 10 variants of an artists book. All the contents have been
donated and monies raised from the sale of the books goes towards
supporting the work of book artists.
The text block is a mixture of low and high relief works on paper, canvas, packing boxes etc, all different sizes and so on.
The overall impression I get is Urban Gritty. My response will be likewise.
First things first... sewing...
First things first... sewing...
Monday, 31 August 2015
Sunday, 23 August 2015
An Advertiser's Alphabet.
The poster material has been applied to the spines and the front boards of the books. Each one of the bindings follows a rhythm yet has an individual nature. The way the text and imagery comes together on the boards has gone well over my expectations. The layers, texture and compositions is coming on. Now for the back boards.........
Monday, 17 August 2015
Bookbinding Equipment For Sale
A friend of mine is selling his bookbinding equipment. He has many, many
wonderful things. Board chopper, presses, brass type... the lot..
everything. For those interested please get in touch with me and i will
pass on his phone number. London based.
Saturday, 1 August 2015
STUDIO 5 BOOKARTS SUMMER WORKSHOP
STUDIO 5 SUMMER WORKSHOP
EXPLORING CREATIVE DECORATIVE
TECHNIQUES
ONE DAY WORKSHOP 29TH AND
30TH AUGUST
Limited to 5 places per workshop.
All materials and bad coffee included in the fee.
Topics include: New Cold Gold
Techniques, Craquele, Mud and Combination Methods. Plus if there is time, more!
For further information, fees, times
etc or to book a place please contact Mark at Studio 5
Studio5bookarts@aol.oc.uk
Friday, 31 July 2015
An Advertiser's Alphabet.
Now that the main body of the binding structure has been completed I can begin to create elements of the art work. The working base for this is a sheet of conservation board which I have sized with a PVA Yamato Nori mix.
Next to layer small sheets of a mould made paper, overlapping as I work
This helps to create a texture.
And when painted the texture becomes visible. The ironic thing is that all of this may never be seen again. I need this for the next stages...
Layering up adverts and the like, layer upon layer. Coats of paint and more layers.
On and on until I decide to start to tear away the surface.
The aim is to create a wall covered in posters, adverts and the like. Only small elements will be used in the final binding.
Next to layer small sheets of a mould made paper, overlapping as I work
This helps to create a texture.
And when painted the texture becomes visible. The ironic thing is that all of this may never be seen again. I need this for the next stages...
Layering up adverts and the like, layer upon layer. Coats of paint and more layers.
On and on until I decide to start to tear away the surface.
The aim is to create a wall covered in posters, adverts and the like. Only small elements will be used in the final binding.
Tuesday, 28 July 2015
An Advertiser's Alphabet
An Advertiser's Alphabet.. This is a super little book recently published by The Reading Room Press.
Great care and attention to all the details.
The text is wonderfully printed...
With the illustrations being so alive they dance out of the page. They have a spontaneous clarity and lightness of touch that delights the eye.
I will be working on three copies. One for the publisher, one for relatives of Ceri Richards and one for me. This is a very limited edition binding run. Though I will be working on all three at the same time each book will be different, each its own character with common elements threading the three together.
I would like to show what I do with some of my edition work. The bindings do not have to be the identical like a machine production line....
Great care and attention to all the details.
The text is wonderfully printed...
With the illustrations being so alive they dance out of the page. They have a spontaneous clarity and lightness of touch that delights the eye.
I will be working on three copies. One for the publisher, one for relatives of Ceri Richards and one for me. This is a very limited edition binding run. Though I will be working on all three at the same time each book will be different, each its own character with common elements threading the three together.
I would like to show what I do with some of my edition work. The bindings do not have to be the identical like a machine production line....
Saturday, 11 July 2015
Book in Time.
Book in Time.... Curated Tiana Wong. Participating artists; Miyako Akai, Amber Au, Chan Hei Shing, Rachel Cheung, Chihoi, Simou Chow, Mark Cockram, Jayne Dyer, Fung On-sung, Jade Lam, Lam Pei, Cucumber Leung, Iris Lo, Eris Tsang, Yo Yamazaki, Bobby Yu, eggwich and Tiana Wong.
Hong Kong.
Lecture time, a quite chat with a cool group of people.
Q and A.... Up close and personal.http://www.miniaturebook.org.hk/
Wednesday, 20 May 2015
This morning I was informed that The Victoria and Albert Museum will be
acquiring 'Through the Looking Glass' for their permanent collection for
public display in the National Art Library.
Through the Looking Glass will form part of my exhibition at the ABA Book Fair at Olympia. A great chance to see some of my most recent work (in the flesh as it were) and to add to your collection.For FREE tickets please visit their web site...... http://www.olympiabookfair.com/register-for-tickets
Through the Looking Glass will form part of my exhibition at the ABA Book Fair at Olympia. A great chance to see some of my most recent work (in the flesh as it were) and to add to your collection.For FREE tickets please visit their web site...... http://www.olympiabookfair.com/register-for-tickets
Wednesday, 6 May 2015
http://www.olympiabookfair.com/index.pl?id=3394
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LIVE! Demonstrations & ActivitiesLive! MastersIn addition to our other activities described below, LIVE! Masters is the Fair's new series of one-day book arts demonstrations. Be sure to visit stand L07 each day of the Fair to see a different artist at work.
Margaret has been fore-edge painting since 1973. She has completed
commissions for the British Museum, Foyles, Hatchards and other
antiquarian booksellers, also for numerous private clients. Most
recently, she has worked with Jeff Weber on his Annotated Dictionary of
Fore-Edge Painting. Margaret will demonstrate fore-edge painting,
a special technique that became popular in the late 18th Century, in
which a painting is made on the edge of a book so that it only appears
when the pages are fanned and disappears when the book is closed. |
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