My biblionautic chums and friends.
Now on. Minimalist Flat Tight Back Binding. A book construction that explores the concept of the elimination of all that is extraneous. Concentrating on surface decoration. BASE exhibition number 8. Barnes SW London.
Please note.... there are other ways of making a book and studios/binderies/exhibition spaces doing stuff, spelling and grammar. Please further note, the opinion of the author may change at any moment. This is due to having an open mind of sorts.
Thursday, 26 January 2023
My biblionautic chums and friends.
Sunday, 15 January 2023
Saturday, 7 January 2023
Thursday, 5 January 2023
Thursday, 29 December 2022
Thursday, 22 December 2022
Wednesday, 21 December 2022
Tuesday, 13 December 2022
Monday, 12 December 2022
Sunday, 11 December 2022
G H I. Gaudium Hora Inceptum. Gaudium = Joy/Happiness. Hora = Time/Season. Inceptum = Beginning.
As with all things the set up was a team effort and my thanks goes to all that helped. With the set up done it was time to relax for a day as the private view, the following evening beckoned.
26 books/bindings by 21 Fellow and Licentiates of Designer Bookbinders makes for a rather wonderful show. What I really like about exhibiting at Maggs is the fact that the books are not behind glass. One can get up close and personal. The books are in the 'Front Room' of Maggs, arranged in a modern book case. Subtle lighting and decorated tree make for an environment that is more akin to how I see the modern library or collection.
Lester Capon (President of Designer Bookbinders, right) with Ben Maggs, who, along with Sophie Schneideman was awarded Honorary Fellowship during the private view of GHI, in recognition of services to bookbinding and/or Designer Bookbinders.
To view the catalogue https://www.maggs.com/media/5570916/ghi-catalogue.pdf
Better still..... Go there in person if you can.
Wednesday, 16 November 2022
Sunday, 6 November 2022
Tuesday, 18 October 2022
Friday, 16 September 2022
Monday, 12 September 2022
Thursday, 8 September 2022
But, and it is a series of big buts...... Masereel's wood cuts are so visceral. By this I mean that there is an earthy feel to the work. The images detail all aspects of urban life, much of it the same now as it was then. From the tenderness of the new-born through to the unreasoning divides in class and culture and the elemental emotions of death and depravity. His work is instinctive and in depth. This I wanted to keep, this was my key to unlock the overall design, look and feel of the book.
So.... a slick binding full of colour and gold, inlays and onlays would just not work. The images in the text block are stark and powerful in the simplicity of printing. I kept coming back to black and white, light and shadow. And so began a series of maquettes.
With the leather ordered from Harmatan https://www.harmatan.co.uk/ (my go to leather people, in fact I have been using their leathers since I was at college more than 30 years ago... please note other tanners are available) and all the componets in place work could bein in bringing all together. The decision was made to trim the sections, taking minimum of to neaten the text block up. Not an easy choice to make but because of the nature of the unevenness of the sections it was the practical thing to do. Sewing, rounding and backing, end bands and all the other little steps that make up the journey of the making of a book commenced.
https://www.johnpurcell.net/ again the staff have knowledge of the papers, boards etc they have. They care and understand they don't just sell. Please note other paper and board suppliers are available.
Simple. It would have been easy to go full out and having lashings of gold and inlays and onlays... but why fight the wonderful images? I have taken my inspiration from Masereel's prints. Abstracted and twisted, reformed and re-seen.
Full leather (goat). Hand printed end papers and edge to edge doublers. hand sewn, single needle/minimal end bands etc etc. 286mm x 235mm x 31mm when closed.