A Clockwork Orange. Work cracks on.

 The work now begins to traverse the boards, elements of the design  now flow.

Back board detail.

Old school techniques are sometimes employed to get the correct visual texture.

Nearly there I think. Well, for the time being.

 With Orange I am really wanting this not to be a 'nice' binding. The text is so shocking, so powerful in the extremes of the human nature. In places that it begs for a visceral approach and use of materials. I am trying to capture the distortion and fluidity of the sensations that the book evokes.