Front Baord.
At last, a book I have been working on for a while... is finished.
Starting with making the pages/panels to the final coat of varnish has
been a long journey. Inspired by my travels and work in and around Manila. 190cm x 61cm x
10cm when closed.
Wood, paper mixed media.
Detail Front board.
First Spread.
Detail.
Detail.
Second Spread.
Detail.
Detail.
Detail.
Back Board.
Front and Back Boards.
Detail.
At last, a book I have been working on for a while... is finished.
Starting with making the pages/panels to the final coat of varnish has
been a long journey. Inspired by my travels and work. 190cm x 61cm x
10cm when closed.
Wood, paper mixed media.
Thursday, 24 October 2019
Saturday, 21 September 2019
Freedom. seriously simple in koncept.
seriously simple in koncept.
There are times when I find myself waiting for things to dry. Paint, adhesive, jokes.. you know the sort of thing. It is during those moments of not much happening that my thoughts go back to the past. To the endless days and nights of youth. Before the internet, mobiles and much less facial hair.
In an age when the very way we communicate with each other is monitored and, in the UK at least, we find ourselves filmed or on camera countless times a day, privacy becomes a commodity not a right. There are many voices and opinions about this, I, myself have no wish to add to the chattering masses. We also find ourselves being censored and banned from social media sites by un-named people with no way of recourse. Such is life. Please understand, the various vehicles of communication and ease in other aspects of our lives is wonderful, but it comes with a loss of privacy and a certain cost of the individual.
There are times when I find myself waiting for things to dry. Paint, adhesive, jokes.. you know the sort of thing. It is during those moments of not much happening that my thoughts go back to the past. To the endless days and nights of youth. Before the internet, mobiles and much less facial hair.
In an age when the very way we communicate with each other is monitored and, in the UK at least, we find ourselves filmed or on camera countless times a day, privacy becomes a commodity not a right. There are many voices and opinions about this, I, myself have no wish to add to the chattering masses. We also find ourselves being censored and banned from social media sites by un-named people with no way of recourse. Such is life. Please understand, the various vehicles of communication and ease in other aspects of our lives is wonderful, but it comes with a loss of privacy and a certain cost of the individual.
We know
the problems with leaks from net providers and the selling of
information... remember the internet is not free.... we give up so much
when we enter this world... As I said, during the quiet moments my mind
drifts to that bygone age of youth with a distinct lack of allergies and
the other trappings of a 1st or developed world life style (please
note, other life styles and worlds are available. In some ways I would
prefer to be part of a developing world than a developed world, at least
I would be going somewhere. Please further note that I am fully aware
that there are other opinions and of course we are all now allowed
allergies. However, I cannot, for some reason, imagine my Grandfather
saying " Oh I cannot sit in there, I have an allergy to canvas" as he
strapped himself into the cockpit of his Royal Aircraft Factory F.E.2
with classic "Farman" layout, as a pilot in the Royal Flying Corps... An
other age, and other time and all of that for a freedom that many young
people have no concept of the cost in the millions of peoples futures
deferred , permanently)
I digress.
I am an advocate of newsletters and the like being on line and that they can be printed off should one desire to have a hard copy. There is scope for links and other lovely things that can and often make for interactive and exciting journeys. However... there is the nagging thought, that there is nothing private..... and could be open to corruption. Idle thoughts I know.
Perhaps the fanzine or zine could be an answer... as I said, seriously simple in koncept. I will ponder further.
I digress.
I am an advocate of newsletters and the like being on line and that they can be printed off should one desire to have a hard copy. There is scope for links and other lovely things that can and often make for interactive and exciting journeys. However... there is the nagging thought, that there is nothing private..... and could be open to corruption. Idle thoughts I know.
Perhaps the fanzine or zine could be an answer... as I said, seriously simple in koncept. I will ponder further.
Thursday, 19 September 2019
Salmon Rushdie... Quichotte. Booker Binding 2019
Quichotte by Salmon Rushdie, Booker binding 2019... The end
papers....... The end papers are made over-size. Once laminated to a
white (Made End Paper) the end papers will be trimmed to the correct
size. The paper is 130 gsm cartridge.
The end papers have been made ....... After the sections have been trimmed, I am wanting rough edges, the sections have been sewn, sections tipped on , a thin coating of PVA-Paste mix applied to the spine, rounded, backed with the first spine lining of linen adhered and allowed to dry in shape in a finishing press.
I have to say that it was not the easiest of jobs.. the sections are think and I have a feeling that there maybe an issue with grain direction.. I will check, I could be wrong.
I used my £2.50 hammer and a single screw laying press from my friend (in the flesh as it were) (https://www.facebook.com/oliveandoak/
Allowing things time to dry is crucial I feel.
I have to the 12th October to have it and a box finished and get it and myself to the awards evening at the Guildhall in the City of London. I realise it sounds a long time but in fact there is pressure. I have to read the book so many times, as a landscape artist draws inspiration from the landscape, I draw my inspiration from the text. What one has to remember is ... I will be meeting the author... The work I do will be looked at as part of the award is that all of the 6 finalists receive a hand bound designer binding of their book.
Allowing things time to dry is crucial I feel.
I have to the 12th October to have it and a box finished and get it and myself to the awards evening at the Guildhall in the City of London. I realise it sounds a long time but in fact there is pressure. I have to read the book so many times, as a landscape artist draws inspiration from the landscape, I draw my inspiration from the text. What one has to remember is ... I will be meeting the author... The work I do will be looked at as part of the award is that all of the 6 finalists receive a hand bound designer binding of their book.
Thursday, 12 September 2019
Friday, 6 September 2019
Sunday, 25 August 2019
The Printer and the Bookbinder
Artists’ Print & Artists’ Book Workshop
A Drum-Leaf Binding using Handmade Woodblock Prints:
hosted by Ralph Kiggell & Mark Cockram
Four days, two workshops combined: ‘East meets West’
Saturday 5th October - Tuesday 8th October 2019
Barnes, London
This workshop was conceived some time ago by these two leading artists, two continents crossed, Mark Cockram visiting Asia and Ralph Kiggell touring Europe, they were destined to share ideas, shape and mould their work into this one off workshop.
The opportunity is here to meet and work with designer bookbinder Mark and printmaker Ralph. A workshop in two stages, with artist-printmaker Ralph leading the first two days, and bookbinder Mark leading the latter two days, with no experience of bookbinding or printmaking needed. This workshop is aimed at all ages and all levels of creative experience.
Stage One. Under the guidance of Ralph, participants are introduced to the classic art and craft of Japanese water-based woodblock printing, commonly known today as mokuhanga. This stage of the workshop covers the basic tools, materials and process of this non-toxic technique from block preparation and cutting, paper choice and preparation, to the fundamentals of printing itself. Students will develop a simple multi-block print in two to three colours, using their own cut blocks, alongside woodblock templates provided.
Stage Two. Under the guidance of Mark, participants use their prints from stage one to create a four-spread drum-leaf bound book. This process combines bookbinding methods from Europe and Asia. The process is simple, it includes folding, adhering the papers and pressing, the final result is a decorated cased in binding with no sewing required. Tips, hacks and joviality provided along the way.
About the tutors:
Ralph Kiggell, a member of the Royal Society of Painter Printmakers, UK, studied woodblock printing in the early 1990s at the atelier of Toshi Yoshida, son of Hiroshi Yoshida, where he learned the fundamentals of the ukiyo-e technique. He later learned contemporary woodblock methods in Kyoto with Akira Kurosaki, before taking his studies to MFA level at Tama Art University, Tokyo.
Mark Cockram, a Fellow of Designer Bookbinders, Brother of the Art Workers Guild and Special Researcher of the University of Shanghai Science & Technology and the founder of Studio 5, an educational facility in London. Mark is an award-winning book artist, international exhibitor and Man-Booker prize winning bookbinder, trained in England, France and Japan, who has led workshops in London, New York, Tokyo, Paris, Hong Kong, Manila and Shanghai.
Materials available:
For the printmaking: woodblocks, knives, water-based pigments, Japanese papers (washi), printing brushes, registration boards, bench-hooks, traditional baren for hand-printing.
For the bookbinding: acrylics & inks, bookcloth, board, adhesive and brushes.
6 Spaces Available at £400 pp (including all materials).
Location: Wurkshop 9-10, The Mews, 46-52 Church Rd, Barnes, London SW13 0DQ
Email troy3moore@me.com for more information.
Wednesday, 7 August 2019
Shanghai, Part 2. POP UP
When not teaching, I was what I can only describe as eventing. A lecture, pop up exhibition and a 'hands on' workshop in the
fab Sinan Bookstore in the French concession area of Shanghai.
Then an illustrated lecture on wider topics including my inspiration, ways of working and variations within the genre of the book. Finally a hands on workshop in foil tooling. All in about 3 hours of non stop stuff. Many thanks to all involved.
A wonder around the French Concession, bits around the corner and on the walls..
A
wonderful crowd. First there was the pop up. I had managed to borrow a
number of books I had made or bound from the DeWilde collection. Ten books
in total... a unique chance to see 10 books..
close up and with the
binder.
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Then an illustrated lecture on wider topics including my inspiration, ways of working and variations within the genre of the book. Finally a hands on workshop in foil tooling. All in about 3 hours of non stop stuff. Many thanks to all involved.
After the events, a break in a wonderful little place, a beer or two.... with new friends. All in all a great day.
A wonder around the French Concession, bits around the corner and on the walls..
Friday, 2 August 2019
Shanghai.A first time for me...
A while ago I was invited to teach in Shanghai by the Purple Heron Cultural and Media Co. Ltd at the University of Shanghai Science and Technology, college of Communication and Art Design. I was pleased to have been asked.. delighted even and with a few days to go, on being asked if I would like to appointed to the position of Special Researcher of the USST Purple Heron Bookbinding Design and Research Center, I was in a different place... A happy place.
Shanghai is many different things to different people, I went with an open mind. Though I have been visiting and working in South East Asia for nearly 30 years this trip would be the first time I had been to main land China. For more information about The Republic of China may I suggest that you may wish to follow this LINK to the Wikipedia site (Yes, I do contribute)
There were two main reasons for me being there, first to teach at the University and second to give a pop up talk, demo, workshop and exhibition.. all in one place in the matter of 3 hours... cripes..
First a few links ...
恺蒂︱从《发条橙》到《备用计划》:科克拉姆的装帧艺术
书籍装帧师:如何制作烫金书封?
草鹭工坊 | 跟着Mark Cockram定制烫金笔记本
上观 | 让书变得“好看”,就是设计一个好看的封面?图书设计,是时候改变思路了!
Purple Heron
More tomorrow.
Shanghai is many different things to different people, I went with an open mind. Though I have been visiting and working in South East Asia for nearly 30 years this trip would be the first time I had been to main land China. For more information about The Republic of China may I suggest that you may wish to follow this LINK to the Wikipedia site (Yes, I do contribute)
There were two main reasons for me being there, first to teach at the University and second to give a pop up talk, demo, workshop and exhibition.. all in one place in the matter of 3 hours... cripes..
First a few links ...
恺蒂︱从《发条橙》到《备用计划》:科克拉姆的装帧艺术
书籍装帧师:如何制作烫金书封?
草鹭工坊 | 跟着Mark Cockram定制烫金笔记本
上观 | 让书变得“好看”,就是设计一个好看的封面?图书设计,是时候改变思路了!
Purple Heron
More tomorrow.
Wednesday, 5 June 2019
Wednesday, 22 May 2019
Mayfly endbands...
End banding and end banding silks. Part of the palette.
End banding... the start. A simple, single core end band.
End banding. Unlike the more traditional approach to the sewn end band... 3 white 3 red 3white etc the contemporary end band can form part of design narrative. With the colour palette I have for this book I am looking for a multi coloured or banded look. The colours will jump and flow across the end band. Threads are added and taken away, grouped and spread. I work from the front of the book with the view of the finished end band in my eye and I tie down at each section. Please note, I am aware of other end band techniques and methods of working. I am using this particular technique because it is in keeping with my current approach to contemporary bookbinding. Please also note, I am aware of other contemporary methods etc.
End banding... the start. A simple, single core end band.
End banding. Unlike the more traditional approach to the sewn end band... 3 white 3 red 3white etc the contemporary end band can form part of design narrative. With the colour palette I have for this book I am looking for a multi coloured or banded look. The colours will jump and flow across the end band. Threads are added and taken away, grouped and spread. I work from the front of the book with the view of the finished end band in my eye and I tie down at each section. Please note, I am aware of other end band techniques and methods of working. I am using this particular technique because it is in keeping with my current approach to contemporary bookbinding. Please also note, I am aware of other contemporary methods etc.
Thursday, 16 May 2019
BookArts. Lincolnshire College of Art and Design.
Back to college. Back to the beginning of many things. NOW and other
books by the wonderful students on the foundation course (Arts)
Lincolnshire College of Art and Design. For all but one of the students
(the average age was about 18 with one mature student) this was the
first book they made. All miniatures, all complete books and all done in
an afternoon. We started the day with an introduction, then an
illustrated lecture about the book.. past, now and possible futures.
Just before lunch I showed some of my books to the students... all
employing the same or similar techniques to the ones we were to explore
in the afternoon... Enjoy. Please note, not all the students work is
shown and there is no particular order to the work.
Thursday, 2 May 2019
A new commission... Mayflies of the Driftless Region.
A new commission... Mayflies of the Driftless Region.
Mayflies of the Driftless Region. Wood engravings by Gaylord Schanilec. Identifications by Clarke Garry. Midnight Paper Sales 2005.
Limited edition of 400. This being number 3 of 13 in sheets.
A wonderful book.
After a lot of thought of the design and colours, work begins on the endpapers. The endpapers are produced using a Flottage technique, colours are floated on water and transferred to paper. Similar to marbled paper, however the Flottage technique uses oil based inks and is far looser in the patterns formed.
Front end paper and possible Doubler
Back end paper and possible Doubler.
The end papers are "Made" and will be leather jointed. I have chosen to use these for a number of reason. I think they work well with the theme, the colours being spring, light and full of undulations, waves and rivulets. the tiny spots a reflection of the myriad, the clouds of Mayflies that dance and delight the eye with a cacophony of colour.
Mayflies of the Driftless Region. Wood engravings by Gaylord Schanilec. Identifications by Clarke Garry. Midnight Paper Sales 2005.
Limited edition of 400. This being number 3 of 13 in sheets.
A wonderful book.
After a lot of thought of the design and colours, work begins on the endpapers. The endpapers are produced using a Flottage technique, colours are floated on water and transferred to paper. Similar to marbled paper, however the Flottage technique uses oil based inks and is far looser in the patterns formed.
Front end paper and possible Doubler
Back end paper and possible Doubler.
The end papers are "Made" and will be leather jointed. I have chosen to use these for a number of reason. I think they work well with the theme, the colours being spring, light and full of undulations, waves and rivulets. the tiny spots a reflection of the myriad, the clouds of Mayflies that dance and delight the eye with a cacophony of colour.
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