A close up of the fore edge to try to show the textures created by not sanding the edge to a glossy sheen. When sanded, the edge was painted over with titanium white acrylic. The brush lines have been deliberately left.
The front end paper. choosing the correct silks to sew the end band is so crucial. The end bands are one of those "Devil is in the detail" parts of bookbinding. |
One of the nice aspects of having students and ex-students dotted around the world is that if I need something...... |
.... say some soil or clay from Singapore, then I would ask the wonderful Adelene Koh of dddots bookbinding.. |
Iskandar Jalil. Pots talk among themselves in silent conversations. Mark Cockram. I wonder if books do the same.... or grains of soil.
Soil, stones and Singapore. One of those days in the studio of drying out and sieving soil from Singapore... pretty ordinary really.
Detail of the Stones and larger grains of sand having had a quick wash. I am just
loving the absolute texture and the fanfare of colours. From the humble
shard of brick to the multi faceted and coloured grain.Soil, stones and Singapore. One of those days in the studio of drying out and sieving soil from Singapore... pretty ordinary really.
The soil/clay and the larger material from the 1.3kg package will be used in the final work. Iskandar Jalil likes to use local clays and materials in his work. I shall do the same. Tomorrow will find me on the banks of the Thames....
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